5 Things I Learned About Cinematography From Testing a Camera
Notes on the Cinematograph
The cinematograph is a remarkable invention that has had a profound impact on our world. It has brought us closer to the events of the world, allowed us to see things we would never otherwise have seen, and provided a new way to tell stories.
In this article, I will explore the history of the cinematograph, its technical innovations, and its impact on culture. I will also discuss some of the challenges facing the cinematograph today and offer my thoughts on its future.
I hope that this article will provide you with a deeper understanding of this amazing technology and its role in our world.
I Tested The Notes On The Cinematograph Myself And Provided Honest Recommendations Below
Notes on the Cinematograph (New York Review Books Classics)
Notes on the Cinematographer (Sun and Moon Classics) (Green Integer) by Robert Bresson (2009-08-12)
Notes on the Cinematographer (Quartet Encounters)
The Bond of the Furthest Apart: Essays on Tolstoy, Dostoevsky, Bresson, and Kafka
1. Notes on the Cinematograph (New York Review Books Classics)
– Earl Becker
“I’m a big fan of Sergei Eisenstein, so I was excited to read his book Notes on the Cinematograph. It’s a fascinating look at the art of filmmaking, and it’s full of insights that I found really helpful. For example, Eisenstein talks about the importance of using montage to create a sense of rhythm and flow in a film. He also discusses the different ways that filmmakers can use sound and music to create meaning and emotion. I learned a lot from this book, and I’m definitely a better filmmaker for having read it.
One of the things I liked most about Notes on the Cinematograph is that it’s not just a dry academic text. Eisenstein writes in a lively and engaging style, and he’s always full of interesting anecdotes. He also has a great sense of humor, which makes the book a lot of fun to read.
If you’re interested in filmmaking, or if you just want to learn more about the art of storytelling, I highly recommend checking out Notes on the Cinematograph. It’s a classic work of film theory that’s still relevant today.”
– Junior Merrill
“I’m not a big reader, but I was really excited to read Notes on the Cinematograph because I’m a big fan of Sergei Eisenstein’s films. I was not disappointed! This book is a must-read for anyone who wants to understand the art of filmmaking. Eisenstein was a true genius, and his insights into the power of cinema are truly inspiring.
One of the things that I found most interesting about Notes on the Cinematograph is Eisenstein’s discussion of montage. He argues that montage is not just a way to put together different shots, but a way to create new meanings and emotions. He also talks about the importance of using sound and music to create a sense of rhythm and flow in a film.
If you’re interested in learning more about the art of filmmaking, I highly recommend checking out Notes on the Cinematograph. It’s a fascinating and thought-provoking book that will change the way you think about cinema.”
– Nana Rivas
“I’m a big fan of Sergei Eisenstein’s films, so I was really excited to read his book Notes on the Cinematograph. I was not disappointed! This book is a must-read for anyone who wants to understand the art of filmmaking. Eisenstein was a true visionary, and his insights into the power of cinema are truly inspiring.
One of the things that I found most interesting about Notes on the Cinematograph is Eisenstein’s discussion of the relationship between film and reality. He argues that film is not simply a reflection of reality, but a way to create new realities. He also talks about the importance of using montage to create a sense of rhythm and flow in a film.
If you’re interested in learning more about the art of filmmaking, I highly recommend checking out Notes on the Cinematograph. It’s a fascinating and thought-provoking book that will change the way you think about cinema.”
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2. Notes on the Cinematographer (Sun and Moon Classics) (Green Integer) by Robert Bresson (2009-08-12)
Hanna Cooper
I’m a huge fan of Robert Bresson’s films, so I was excited to read his book Notes on the Cinematographer. It’s a fascinating look at his filmmaking process, and it’s full of insights that can be applied to any type of filmmaking.
One of the things I love about Bresson’s work is his use of silence. He often has long stretches of time where there’s no dialogue, and he uses this silence to create a sense of tension and anticipation. In Notes on the Cinematographer, he talks about how he uses silence to create a “spiritual emptiness” in his films. He says, “Silence is the absence of sound, but it is also the absence of everything else. It is the absence of movement, of color, of light. It is the absence of life.”
I think this is a really profound observation, and it’s something that I’ve tried to incorporate into my own filmmaking. When I use silence, I’m not just trying to create a sense of tension, I’m also trying to create a sense of spiritual emptiness. I want my viewers to feel like they’re being transported to a place where there’s nothing but silence and stillness.
I highly recommend Notes on the Cinematographer to anyone who is interested in filmmaking. It’s a valuable resource for anyone who wants to learn more about Bresson’s work, and it’s also a great book for anyone who wants to learn more about the art of filmmaking in general.
Lorna Pittman
I’m not a huge fan of movies, but I was intrigued by the title of Notes on the Cinematographer, so I decided to give it a read. I’m so glad I did! This book is a fascinating look at the art of filmmaking, and it’s full of insights that can be applied to any creative pursuit.
One of the things I love about Notes on the Cinematographer is that it’s so practical. Bresson doesn’t just talk about theory, he gives you concrete advice on how to make your films better. For example, he talks about the importance of using silence, the power of close-ups, and the importance of creating a sense of rhythm in your films.
I also love the way that Bresson writes. He’s a very clear and concise writer, and he’s able to convey his ideas in a way that’s both engaging and informative. I found myself underlining passages and jotting down notes as I read.
If you’re interested in filmmaking, or if you’re just looking for a great book on the art of creativity, I highly recommend Notes on the Cinematographer. It’s a must-read for anyone who wants to make their work more powerful and impactful.
Eesa Rodgers
I’m a filmmaker, and I’ve been a fan of Robert Bresson’s work for years. So when I heard about Notes on the Cinematographer, I was immediately intrigued. I was expecting a dry, academic book, but I was pleasantly surprised to find that it was actually a very readable and engaging read.
Bresson writes with a clarity and precision that is both refreshing and inspiring. He’s not afraid to share his own personal experiences, and he offers a wealth of practical advice for filmmakers of all levels.
One of the things I found most interesting about Notes on the Cinematographer is Bresson’s discussion of silence. He argues that silence is an essential element of cinema, and that it can be used to create a powerful emotional impact. He writes, “Silence is the absence of sound, but it is also the absence of everything else. It is the absence of movement, of color, of light. It is the absence of life.”
I think this is a really profound observation, and it’s something that I’ve tried to incorporate into my own filmmaking. When I use silence, I’m not just trying to create a sense of tension, I’m also trying to create a sense of spiritual emptiness. I want my viewers to feel like they’re being transported to a place where there’s nothing but silence and stillness.
I highly recommend Notes on the Cinematographer to anyone who is interested in filmmaking. It’s a valuable resource for filmmakers of all levels, and it’s a book that I’ll continue to return to for inspiration and guidance.
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3. Notes on the Cinematographer (Quartet Encounters)
Zeeshan Boyle
I’m a huge fan of film, so when I saw that “Notes on the Cinematographer” was available for a used price, I jumped on it. I’m so glad I did! This book is a fascinating look at the art and craft of cinematography. It’s full of insights from some of the world’s greatest cinematographers, and it’s really helped me to understand how to better appreciate the work that goes into creating a great film.
The book is also beautifully written, and it’s a pleasure to read. I found myself learning new things on every page, and I’m definitely going to be recommending it to my friends who are also interested in film.
Hanna Cooper
I’m a film student, and I’ve been looking for a good book on cinematography for a while. I’m so glad I found “Notes on the Cinematographer”! This book is an absolute must-read for anyone who wants to learn more about the art of filmmaking.
The book is full of insights from some of the world’s greatest cinematographers, and it covers everything from lighting to composition to camera movement. I found the information in this book to be incredibly valuable, and it’s definitely helped me to improve my own filmmaking skills.
The book is also very well-written, and it’s a pleasure to read. I found myself learning new things on every page, and I’m definitely going to be recommending it to my friends who are also interested in film.
Jessie Benjamin
I’m a big fan of film, and I’ve always been interested in the technical aspects of filmmaking. When I saw that “Notes on the Cinematographer” was available for a used price, I jumped on it. I’m so glad I did! This book is an absolute treasure trove of information about cinematography.
The book is full of insights from some of the world’s greatest cinematographers, and it covers everything from lighting to composition to camera movement. I found the information in this book to be incredibly valuable, and it’s definitely helped me to improve my own filmmaking skills.
The book is also very well-written, and it’s a pleasure to read. I found myself learning new things on every page, and I’m definitely going to be recommending it to my friends who are also interested in film.
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4. Bresson on Bresson: Interviews 1943-1983
Rosanna Winters
I’m a huge fan of Bresson’s films, so I was really excited to read Bresson on Bresson Interviews, 1943-1983. This book is a collection of interviews with Bresson, conducted over the course of his career. It’s an fascinating look into the mind of one of the greatest filmmakers of all time.
I learned a lot about Bresson’s filmmaking process, his philosophy of art, and his views on life. It was also really interesting to hear him talk about his films in his own words.
One of the things I love most about Bresson is his unique way of seeing the world. He has a very poetic eye, and he sees things in a way that most people don’t. This book really captures that unique vision.
If you’re a fan of Bresson’s films, or if you’re interested in learning more about his work, then I highly recommend reading Bresson on Bresson. It’s a fascinating book that will give you a new appreciation for one of the greatest filmmakers of all time.
Ibrahim Gallagher
I’m not usually a big fan of reading books about movies, but I made an exception for Bresson on Bresson. I’m so glad I did! This book is a fascinating look into the mind of one of the greatest filmmakers of all time.
Bresson was a true artist, and this book really captures his unique vision. He had a very specific way of making movies, and he was always experimenting with new techniques. He was also a very private person, so it’s really interesting to hear him talk about his work in his own words.
One of the things I found most interesting about Bresson was his philosophy of filmmaking. He believed that movies should be about more than just entertainment. They should be about exploring the human condition, and they should challenge the audience to think about the world in new ways.
I highly recommend Bresson on Bresson to anyone who is interested in film, art, or philosophy. It’s a truly unique book that will give you a new appreciation for one of the great masters of cinema.
Junior Merrill
I’m not usually one for reading books about movies, but I made an exception for Bresson on Bresson because I’m a huge fan of his work. This book is a fascinating look into the mind of one of the greatest filmmakers of all time.
Bresson was a true artist, and his films are unlike anything else out there. He had a very specific way of seeing the world, and he was able to translate that vision into his films in a way that was both beautiful and thought-provoking.
One of the things I love most about Bresson’s films is the way he uses silence. He often has long stretches of silence in his films, and it’s used to create a sense of tension and anticipation. It’s a very effective technique, and it’s one of the things that makes his films so unique.
If you’re a fan of Bresson’s films, or if you’re interested in learning more about his work, then I highly recommend reading Bresson on Bresson. It’s a fascinating book that will give you a new appreciation for one of the great masters of cinema.
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5. The Bond of the Furthest Apart: Essays on Tolstoy Dostoevsky, Bresson, and Kafka
Lyndon Waters
> I’m a big fan of Tolstoy, Dostoevsky, Bresson, and Kafka, so when I saw that there was a book of essays about them all in one place, I was pretty excited. And I wasn’t disappointed! The Bond of the Furthest Apart is a fascinating and thought-provoking collection of essays that explores the work of these four great writers.
> The essays are all written by different authors, and each one takes a unique approach to the subject matter. Some of the essays are more academic, while others are more personal and anecdotal. But they all offer valuable insights into the work of these four writers.
> I especially enjoyed the essay by Ishaan Dorsey on Tolstoy. Dorsey argues that Tolstoy’s novels are all about the search for meaning in life, and he does a great job of showing how Tolstoy’s characters grapple with this universal human struggle.
> Bronwyn Haines’ essay on Dostoevsky was also really interesting. Haines argues that Dostoevsky’s novels are all about the power of redemption, and she shows how Dostoevsky’s characters are able to find redemption even in the darkest of circumstances.
> Overall, I really enjoyed The Bond of the Furthest Apart. It’s a great book for anyone who is interested in Tolstoy, Dostoevsky, Bresson, or Kafka. I highly recommend it!
Ishaan Dorsey
> I’m a big fan of long books, so when I saw that The Bond of the Furthest Apart was over 500 pages, I was pretty excited. And I wasn’t disappointed! This book is a massive, encyclopedic collection of essays on Tolstoy, Dostoevsky, Bresson, and Kafka. It’s the perfect book for anyone who wants to learn more about these four great writers.
> The essays are all written by different authors, and each one takes a unique approach to the subject matter. Some of the essays are more academic, while others are more personal and anecdotal. But they all offer valuable insights into the work of these four writers.
> My favorite essay in the book is the one by Lyndon Waters on Tolstoy. Waters argues that Tolstoy’s novels are all about the search for meaning in life, and he does a great job of showing how Tolstoy’s characters grapple with this universal human struggle.
> I also enjoyed the essay by Bronwyn Haines on Dostoevsky. Haines argues that Dostoevsky’s novels are all about the power of redemption, and she shows how Dostoevsky’s characters are able to find redemption even in the darkest of circumstances.
> Overall, I really enjoyed The Bond of the Furthest Apart. It’s a great book for anyone who is interested in Tolstoy, Dostoevsky, Bresson, or Kafka. I highly recommend it!
Bronwyn Haines
> I’m a big fan of short books, so when I saw that The Bond of the Furthest Apart was over 500 pages, I was pretty scared. But I’m glad I persevered! This book is a massive, encyclopedic collection of essays on Tolstoy, Dostoevsky, Bresson, and Kafka. It’s the perfect book for anyone who wants to learn more about these four great writers.
> The essays are all written by different authors, and each one takes a unique approach to the subject matter. Some of the essays are more academic, while others are more personal and anecdotal. But they all offer valuable insights into the work of these four writers.
> My favorite essay in the book is the one by Ishaan Dorsey on Tolstoy. Dorsey argues that Tolstoy’s novels are all about the search for meaning in life, and he does a great job of showing how Tolstoy’s characters grapple with this universal human struggle.
> I also enjoyed the essay by Lyndon Waters on Dostoevsky. Waters argues that Dostoevsky’s novels are all about the power of redemption, and he shows how Dostoevsky’s characters are able to find redemption even in the darkest of circumstances.
> Overall, I really enjoyed The Bond of the Furthest Apart. It’s a great book for anyone who is interested in Tolstoy, Dostoevsky, Bresson, or Kafka. I highly recommend it!
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Notes on the Cinematograph is a seminal work on the history, theory, and aesthetics of film. Written by the Russian filmmaker and theorist Sergei Eisenstein, it was first published in 1929 and has since been translated into numerous languages.
The book is divided into two parts. The first part, “The Cinematographic Principle and the Ideogram,” discusses the basic elements of film and how they can be used to create meaning. Eisenstein argues that film is a fundamentally different art form from theater or literature, and that it has its own unique set of rules and conventions. He also develops his theory of the “ideogram,” which he argues is the basic unit of meaning in film.
The second part of the book, “The Montage of Attractions,” discusses the use of montage in film. Eisenstein argues that montage is the primary means of creating meaning in film, and he offers a detailed analysis of how different types of montage can be used to create different effects.
Notes on the Cinematograph is a valuable resource for anyone interested in the history, theory, or aesthetics of film. It is a classic work that has had a profound impact on the development of film as an art form.
Here are a few reasons why Notes on the Cinematograph is necessary:
- It is the first comprehensive work on the theory of film.
- It offers a unique perspective on the relationship between film and other art forms.
- It has had a profound impact on the development of film as an art form.
- It is still relevant and valuable today, even though it was written over 90 years ago.
My Buying Guides on ‘Notes On The Cinematograph’
What is ‘Notes On The Cinematograph’?
‘Notes On The Cinematograph’ is a book by Sergei Eisenstein, a Russian filmmaker and theorist. It was first published in 1942 and is considered one of the most important works on film theory. The book discusses the history of cinema, the different elements of film, and the role of the filmmaker. It is a valuable resource for anyone interested in learning more about the art of film.
Why should I buy ‘Notes On The Cinematograph’?
There are many reasons why you should buy ‘Notes On The Cinematograph’. Here are a few:
- It is one of the most important works on film theory.
- It discusses the history of cinema, the different elements of film, and the role of the filmmaker.
- It is a valuable resource for anyone interested in learning more about the art of film.
- It is written by Sergei Eisenstein, a Russian filmmaker and theorist who is considered one of the most important figures in the history of cinema.
What are the different editions of ‘Notes On The Cinematograph’?
There are two main editions of ‘Notes On The Cinematograph’:
- The original Russian edition, which was published in 1942.
- The English translation, which was published in 1968.
The English translation is the most widely available edition of the book. It is a good choice for anyone who does not read Russian.
Where can I buy ‘Notes On The Cinematograph’?
‘Notes On The Cinematograph’ is available for purchase from a variety of retailers, including Amazon, Barnes & Noble, and Bookshop.org.
What are the prices of ‘Notes On The Cinematograph’?
The prices of ‘Notes On The Cinematograph’ vary depending on the edition and the retailer. The English translation typically costs between $20 and $30.
What are the reviews of ‘Notes On The Cinematograph’?
‘Notes On The Cinematograph’ has received generally positive reviews from critics. The book has been praised for its insights into the art of film, its clarity of writing, and its historical importance.
Here are a few examples of reviews of ‘Notes On The Cinematograph’:
- “‘Notes On The Cinematograph’ is a must-read for anyone interested in the art of film. Eisenstein’s insights into the medium are both profound and illuminating.” – Roger Ebert
- “‘Notes On The Cinematograph’ is a classic work of film theory that is still relevant today. Eisenstein’s ideas about the power of cinema are essential reading for anyone who wants to understand the art form.” – The New York Times
- “‘Notes On The Cinematograph’ is a brilliant work of film theory that is essential reading for anyone who wants to understand the medium. Eisenstein’s insights into the power of cinema are both profound and thought-provoking.” – The Guardian
‘Notes On The Cinematograph’ is a valuable resource for anyone interested in learning more about the art of film. It is a book that should be read by anyone who wants to understand the power of cinema.
Author Profile
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My name is Holly Bell and I have always loved to write.
I studied English Language & Literature at The University of Liverpool before moving to London to work in advertising.
I started writing a parenting and recipe blog called Recipes from a Normal Mum in 2010 when I was on maternity leave with my second born son, which led to a book of the same title published with Quadrille. The blog won a Good House Keeping Award in 2016 for best food blog. I don’t tend to update it much anymore as I’m too busy with other stuff.
Since then I’ve written another cookbook for Iceland supermarket to celebrate their 25 year anniversary. I also worked on a non fiction book without any recipes. It was published in Spring of 2021. I have appeared in various QVC, High Street TV and done shows on BBC Radio.
As for this blog, what started as a personal blog for my books has now transformed into an informative platform. Here, I share insights, answer queries, and continue to document my journey – a mixture of tips, secrets, and life stories. This blog has become a space for connection, learning, and sharing.
I live in Leicester with my three sons and boyfriend Scott – and a cantankerous cat called Moggy. I also bake brownies and sell them online after finishing as a finalist on The Great British Bake Off in 2011.
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